Set in 1970s Los Angeles (but shot in Georgia ironically) The Nice Guys pays homage to the detective/buddy cop flicks of the same era. Written and directed by Shane Black and starring Russell Crowe and Ryan Gosling you’d think this would’ve been a sure fire hit but the film fell pretty shy of its $50M budget. Let’s see what happened…
Crowe and Gosling play competing PIs who team up on the same missing person case. Crowe is the heavy who mostly has his shit together where Gosling plays the charmed goofball / comic relief guy who’s also a lousy father and brings his daughter to crime scenes instead of getting a babysitter. The story revolves around the death of a porn star and a missing person on the run who knows too much.
While the setup of the story is pretty good and the film has some solid moments, it suffers from a series of “are you serious?” number of moments. One such moment includes a struggle for a gun that results in a neighbor getting killed and there’s no mention of it after it happens. It’s a really bizarre kind of insert into an action scene. I think it was supposed to be funny the way it was presented but it comes off tragic and dismissive. The film has a strange sense of humor sometimes that don’t seem to really hit the mark. Then there’s the believability of the head of the justice department and her motivations. I don’t’ want to give up any spoilers so you’ll have to see the film to see why I question the validity of her intentions.
The production of the film looks great, the wardrobe, sets, cars, everything hits the 70s on the head. It was fun to look at the various marquees and signs to see the listings of that time. The music is fun and authentic too as were the parties featured in the movie. It’s a shame some of the writing and directing is what ultimately kind of hurts The Nice Guys along with too much presence of Gosling’s daughter’s character. She got kind of annoying after a while.
The cast includes Kim Basinger, Angourie Rice, Margaret Qualley, Keith David, and Gil Gerard.
reviewed by Sean McKnight